Alice Pleasance Liddell, Summer 1858. Courtesy of © National Portrait Gallery, London
In the year 2143, will we be able to say Harry Potter lives, Harry Potter is global, or even thatHarry Potter’s enduring legacy continues to inspire all age groups?
None of us really know for sure what will happen to Harry Potter between now and then. What you should know is that there is one book, which, 146 years after it was first published in 1865, has accomplished all these things and is also one of the most loved books in today’s world. The book to which I am referring is of course Alice’s Adventures in Wonderland, which I like to call “Alice.”
A great many people saw Tim Burton’s Alice in Wonderland movie, which, despite its short theatrical window, grossed $1.02 billion worldwide. That was just an appetizer in comparison to the massive global run up to “Alice’s” 150th birthday in the fall of 2015.
Much like the closing ceremony of one Olympics and the heralding of the next one, the road to “Alice’s” sesquicentennial ceremony has already inspired a magnificent exhibition to be seen in some of the world’s greatest museums, with more exhibitions and events in the works along the way to the lighting of “Alice’s” torch in four years time.
As a passionate “Alice” fan and a relative of Alice Pleasance Liddell, the original inspiration for the book, I never tire of immersing myself in the rich culture that was born from Lewis Carroll’s fantastical dream world. In every age since the 19th century, “Alice” has inspired artists and scientists from the worlds of mathematics, fine arts, literature, puzzles, games, toys, film, dance, music, poetry, video games, photography, cartooning, and well, let’s just say you’ve got your work cut out, Harry Potter!
So now…… are you ready for a little more tea?
Come Away From Her (After Lewis Carroll) 2003 — Kiki Smith Acrylic on Paper. Courtesy of © ULAE, Inc.
I had the great pleasure of chatting with Eleanor Clayton, Assistant Curator of the Tate Liverpool’s fantastical new Alice In Wonderland exhibition currently showing in England before heading out to other parts of Europe.
“Alice” lives on — Why is “Alice” so inspiring to all ages and to generation after generation?
One of the things we notice about “Alice” is that it is one of the few books that have never been out of print since it was first published. It has literally stayed in fashion the entire way since 1865. “Alice” just continues to appeal. I think that it’s the nature of the story. You have a child heroine. Alice is beset by trials and tribulations that she has to go through and yet she always remains calm. Whether it’s the Mad Hatter or the Queen (trying to chop off her head), she meets the challenge and prevails. There is something about Alice’s journey that everyone can relate to.
The other thing that we have actually focused a lot on in the exhibition is that when the original manuscript was created, Charles Dodgson (Lewis Carroll) included pictures. The pictures were an integral part of the story. There aren’t actually a lot of descriptions of the book’s characters including Alice. Instead, on the first page of the original manuscript, there is a picture of Alice. It doesn’t tell us that Alice wears this kind of a dress or has this kind of hair. It leaves it very open for generation after generation to reinvent Alice. In our exhibition there are Alices from the 1930’s, Alices from the 1960’s, and even more contemporary Alices. Each generation has been able to reinvent Alice in the style of that generation. This says something about the richness of the book too. Each generation finds it appealing and wants to contribute something new.
How many Alices do you have in total in the exhibition?
In just one room we have over 40 illustrated editions of the book from 1907 onwards. I would say we have over a hundred Alices (character depictions) in the exhibition.
“Alice” is global — How represented is “Alice” on a global basis throughout the exhibition?
We have illustrated editions from the western world but we also have Eastern European and Russian illustrated editions. We have work by an artist called Nalini Malani, who’s done a series called Living in Alice Time. She finds in Alice a figure that relates to the political situation in India and her work is representative of that. Unfortunately, we don’t have “Alices” from Australia and New Zealand but we do have most of the Northern Hemisphere covered.
Alice’s Adventures Underground, the original manuscript, was handwritten and hand illustrated by Lewis Carroll and presented to Alice Liddell as an early Christmas gift. How significant is this manuscript?
I think it is very significant. We’ve found it incredibly interesting as an early form of book art, which became hugely popular in the 1860’s and beyond. The images are such an integral part of the original manuscript that it is a visual work of art in itself. Even Carroll’s text has visual elements. In the 19th century, art was about paintings, and books were books, but when you look at the original manuscript it is definitely an art object in itself, which is why it is really significant. Later on after the “Alice” books were published, Carroll published a facsimile of the original manuscript.
Alice in Wonderland Magic Lantern Slides 1900 - 1925. Courtesy of © University of Exeter
The manuscript’s sale by Alice Pleasance Liddell in 1928 for £15,400 ($77,000) set a new auction record for a book at that time in history, not to mention the fact that the buyer was an American, Dr. A. S. W. Rosenbach.
The book has now become so iconic that the original manuscript itself is almost like a relic. We are very lucky to be exhibiting it. It has only left the British Library once (for a trip to New York City) since it was presented as a gift to the British Library by a group of American businessmen. The security we have had to go through to protect it is incredible. It has to be kept in a metal (versus wooden) vitrine with glass that is thicker than 11 millimeters. It also has to have two special Abloy locks. Then there is CCTV on it and security guards. It’s this little book the size of a hand. People come into the exhibit and are drawn to it. Then they very quickly fall down the rabbit hole into all of these artifacts that have built up because of this one little book.
What will people like most about the exhibition?
Children will see the original manuscript, Tenniel’s drawings, toys and games that were around in the 19th century after the publication of the book. There are also beautiful paintings, colorful artworks from people like Max Ernst and Dali as well as other “Alice” art from the 1960’s. There is a reading area in the exhibition. There’s also a participative artwork by Allen Ruppersberg where visitors can make their own books.
Highlights or personal favorites of the exhibition?
One of the highlights is an opportunity to learn more about Dodgson’s photography. We have his photographic equipment and a number of his own beautiful photographs. Charles Dodgson was a writer but he was also an artist who thought in pictures, and it makes you realize why the imagery in “Alice” is so vivid.
A personal favorite is a beautiful oil painting called Alice by Max Ernst from 1941. In Ernst’s painting, Alice, we see the figure of Alice being reinvented for the first time as a young woman, no longer a young girl. Ernst started the artwork when he was a prisoner of war in France and then completed it in New York after he escaped; and so it brings out this important image of Alice as a symbol of hope.
My final favorite is the enormous painting of Wonderland by Luc Tuymans. When you stand in front of if you feel as if you could just walk into Wonderland. It was made in 2007, and it just shows again that even today, artists are still finding the idea of Wonderland such an inspiration.
For more information: Tate Liverpool
On January 29, 2012, Alice in Wonderland leaves the Tate Liverpool and travels to the MART (The Museum of Modern and Contemporary Art) in Trento and Rovereto, Italy before moving to the Kunsthalle in Hamburg, Germany.
Eleanor Clayton and C. M. Rubin
C.M. Rubin is the author of the widely read on-line series, The Global Search for Education, and is also the author of three bestselling books, including The Real Alice in Wonderland.
Follow C. M. Rubin on Twitter: www.twitter.com/@cmrubinworld
C. M. Rubin at Christ Church College, Oxford
FINDING WONDERLAND by C.M. Rubin
In 1525, Thomas Wolsey, Lord Chancellor of England founded Cardinal College. In 1532, King Henry VIII of England re-founded the college as King Henry VIII’s College. In 1546 after King Henry broke away from the Church of Rome the college was again refounded as Christ Church College as part of a re-organization of the Church of England. Over the centuries, Christ Church college at Oxford University has become the most famous school in England, and today it is considered one of the most famous schools in the world.
When you visit Christ Church college, you never forget the experience. You sense the greatness, the history, and the legacy of a magnificent institution that has produced 13 British prime ministers as part of its astonishing list of alumni. Perhaps that is why numerous academic institutions all over the world have distinctive features of the college’s architecture (including the University of Chicago and Cornell University, which both have reproductions of Christ Church’s dining hall). Perhaps that is why Christ Church Cathedral and the city of Christchurch, New Zealand are named after it. Perhaps that is why J.K. Rowling requested her Harry Potter film series be shot there. The historic locations used at the College included the setting for Hogwart’s staircase, where schoolchildren are greeted upon their arrival, the Great Hall, which became Hogwart’s dining room, and Oxford’s Bodleian Library, which provided the setting for Hogwart’s infirmary. Perhaps that is why Christ Church has served as a setting for parts of Evelyn Waugh’s Brideshead Revisited, and more recently, the adaptation of Phillip Pullman’s Northern Lights (known in the US as The Golden Compass). I don’t know for sure, but I will tell you this.
For me, as a relative of the original Alice in Wonderland, my fascination is inspired by the fact that Christ Church College was used by Lewis Carroll (Charles Dodgson) as the setting for his Alice’s Adventures in Wonderland and Through the Looking Glass books, considered the greatest children’s books of all time. The Christ Church College math professor, Charles Dodgson (Lewis Carroll), became good friends with the children of Christ Church Dean, Henry Liddell, in the 1850’s and 60’s. He was especially close to Alice Liddell, the Dean’s fourth child, who became Carroll’s inspiration for his heroine, Alice in Wonderland. Carroll used Alice Liddell’s familiar surroundings as the setting for the story, which he wrote for her in 1864. The Great Hall (Hogwart’s dining room), where Carroll ate his meals, holds many Wonderland secrets. It is believed that the real “rabbit hole” is the door that the Dean used to get to the senior common room. Henry Liddell himself is thought to be Carroll’s inspiration for the White Rabbit.
My daughter Gabriella spent time in Oxford as guest of the current Dean of Christ Church while she was researching our book, The Real Alice in Wonderland, and discovered how large a part the college played in the creation of the Alice in Wonderland books. We returned a year later and experienced Christ Church together as mother and daughter, gaining new insights and exchanging different perspectives about the college’s significance in the stories. Our book is the story behind the story of Alice’s Adventures in Wonderland. It takes readers through Christ Church College and many other Oxford locations, including Alice’s garden at Christ Church, the original Cheshire Cat tree, the river banks where Carroll was urged to create his story by Alice, and the Oxford museums where curious people may view the many Wonderland treasures still held there today. Visiting Christ Church is an experience I always find stimulating, both intellectually and spiritually. As I walk in the footsteps of its rich surroundings and history, I dream about the fantastical stories told me as a child. It feels as if I am finding Wonderland, and in the process, finding myself all over again.
Look Inside The Real Alice Book
The Real Alice Valentine’s Trailer
Gabriella Rubin at Christ Church College
Christ Church College
CM Rubin is the author of two best–selling, award-winning books. Her third book, The Real Alice in Wonderland, is currently available in retail bookstores nationally.
David Cooper’s vibrant art conveys emotion, moods, ideas………stories. Halfway through the signing at Rizzoli New York, excited fans have surrounded him. They are mesmerized by his larger than life Alice in Wonderland painting, entitled “Down The River Isis”, which dominates the mezzanine level of this historic bookstore in New York City. The audience is captivated by the unique comic-style visual sketches which have become his trademark signature at a book-signing. Each sketch is individually and lovingly crafted for his enthusiastic fans. He is a master of drawing us in, of speaking to us through his art – his characters are vibrant, big and expressive. His pictures tell a story in and of themselves. Without any words, they have the ability to convey emotion, mood, ideas, narrative – he is, after all, The Storyteller.
Born in Brooklyn, Cooper grew up in New York. After graduating from the Pratt Institute, his professional career as an artist and illustrator took off, gaining prestigious clients such as The New York Times Book Review, Parents Magazine, and Quarterly Black Review, to name but a few. Soon his work began appearing in the Society of Illustrators, The New York City Film Festival CBGB’s Gallery, and Christopher Stanley Salon.
This past month he has been busy painting the official NBA Back Board, which will be featured at an exhibition at Art Basel called “The Art of Basketball”, presented by PWD (Public Works Department). The back board is actually made of glass and chrome, and weighs over 250lbs.
It was an honor to get the opportunity to speak with Brooklyn’s talented Storyteller:
When did you discover your talent for painting?
It’s hard to pin point when I discovered my talent for painting because it’s been such an evolutionary process. However, I do have many memories of drawing throughout my life, one of which is drawing in my Kindergarten class. I remember scribbling indescribable energetic lines across multi-colored sheets of construction paper, day in and day out. No one ever knew what these lines represented, but it didn’t matter, because the most important thing at the time was the act of moving my crayon across the surface of the paper. I knew from then that I loved it and I wanted to keep doing it. As I got older, I began turning those lines into recognizable pictures. I’ve learned to trust my instincts and to believe in how I see the world. Those realizations have greatly impacted my painting.
What other artists have inspired you along the way? Is there one special artist you connect with?There has been so many. Currently I’m really into guys like Rudy Gutierrez, Doze Green, Mark T. Smith, Marshall Arisman, Los Gemeos, Joe Sorren, Chuck Jones and Barry Mcgee. I’ve been really fortunate to have some of them enter my life and share their experiences with me to help me grow as an artist. One of which is Rudy Gutierrez. He started off as my illustration professor at Pratt Institute, but he has since become a very close friend and mentor. Music also plays a very key role in my everyday inspiration. I love to listen to it and I love to create it even more. It rounds me out. I remember attending a lecture by the painter Marshall Arisman years ago when I was still in college. I still think about this lecture today because it affected me so much. As he went through the slides of his work, he played his saxophone and emphasized how important it was for visual people to make sounds. To create for the eyes to see and the ears to listen. It was a lesson that I’ll never forget. To this day, I usually play my guitar before I start a painting. It has become part of my ritual to bring my mind to a place of creativity.
Can you talk about your process a little? Do you make a drawing of what you are planning to paint? Before I even lift a finger, I usually think about the problem that needs to be solved or the concept I want to convey. This is usually done while I play my guitar, as I mentioned earlier. I try not to over think at this point because everything will begin to take shape when I start to draw. My first drawings are very loose and quick thumbnail sketches. When I figure out a basic composition I do a few quick larger drawings to zero in on my ideas. Once I’m satisfied with the basic idea I trace the drawing creating a clean and clear sketch. Once I’m satisfied with the final drawing I use my projector to transfer it to the surface I’m planning to paint on, for example a canvas or wall. Recently, I’ve been painting very large. I’ve been using latex paint for this, applying it with various sized rollers to quickly cover the surface I’m working on. I then go into the painting with various sized brushes to add my line work and smaller details.
You have said that “painting large is a satisfying experience for you”. Why?
Painting large is a very physical and involved process. I have to use all of my available energy, especially if I’m painting a mural. Not only am I dealing with all the challenges of completing a painting, but I’m also faced with the challenge of painting outside, exposed to the elements. This aspect of my career is still new to me, but the experience is one that can’t be compared to any other.
Can you tell us a little about the painting you are doing for The Art of Basketball exhibition? I recently completed two paintings. One was done on an official NBA basketball and the other was done on an official NBA backboard. Both pieces will be on display at Art Basel Miami 2010 along with several other custom backboards and basketballs painted by several prominent street and graffiti artists. The Art Of Basketball Exhibition will be curated by noted street artist, Billi Kid and photographers, Jim and Karla Murray.
CM Rubin is the author of two best–selling, award-winning books. Her third book, The Real Alice in Wonderland, is currently available in retail bookstores nationally.
Charles Dodgson was a brilliant and controversial man, hence Marilyn Manson’s interest. Dodgson was not perverse in his appreciation of young girls, their creativity and beauty. It is not infrequent that Dodgson is perceived through a 21st Century lens, where interest in young girls has shown itself to be perverse. This is Manson’s self-serving error. Unfortunately, it cost him his movie before it finished production. In order to draw a conclusion, one has to research the life of Dodgson, his muse Alice Liddell, and the English victorian world in which they lived. As an author of one of the comprehensive books about Alice Liddell, including her lifelong relationship with Charles Dodgson, I am convinced of the integrity of Dodgson’s intentions and work. Please feel free to probe this further with me at firstname.lastname@example.org or here or at the Lewis Carroll Society of North America blog site http://www.lewiscarroll.org/2010/09/13/marilyn-mansons-phantasmagoria-disappears-like-a-little-ghost/comment-page-1/#comment-2787