KATE MIDDLETON - TO DRESS A PRINCESS
Princess Elisabeth of Bavaria
On April 29, 2011, Westminster Abbey will be the setting for the most anticipated wedding of the year — the Royal Wedding of His Royal Highness Prince William of Wales and Kate (Catherine) Middleton. To honor the event, author C. M.(Catherine) Rubin and designer Theresa Blake have joined forces to bring you a series of stories which focus on wedding dresses worn by famous Royal Princesses and Queens over the centuries that continue to inspire wedding dress designers and brides to this day. Who knows? Perhaps one of these historic royal gowns has already inspired the best kept secret for April 29, 2011 — what will Princess-to-be Kate Middleton be wearing?
PRINCESS ELISABETH OF BAVARIA - 19th Century by C. M. Rubin and Theresa BlakePrincess Elisabeth of Bavaria (1837 – 1898), Empress of Austria and Queen Consort of Hungary, has inspired filmmakers and theater producers for decades. Her husband and first cousin, Franz Joseph I, Emperor of Austria, selected Elisabeth to be his queen when she was only 15 years old. Elisabeth bore the Emperor four children (Archduchess Sophie, Archduchess Gisela, Crown Prince Rudolf, Archduchess Marie Valerie). The Princess was known for her beauty, her passion for fashion, her 20 inch waist (she followed a strict diet and exercise regimen), and her reputed love affairs. During the course of her life, she faced many tragedies including the death of her oldest child, Sophie, and her only son, Rudolf. The scandal surrounding her son’s suggested murder-suicide with his lover Baroness Mary Vetsera (the scandal was known as the Mayerling Incident), increased public interest in Elisabeth. She spent little time in Austria during the later years of her life when travel to countries all over the world consumed her interest. On September 10, 1898, she was assassinated in Geneva, Switzerland by a young mentally ill anarchist named Luigi Lucheni.
The beautiful wedding gown below, of ivory lace satin and tulle, was inspired by a painting of Elisabeth. It is a reproduction of a classic Victorian court dress - a triple layered lace skirt, scattered with mother of pearl sequins, worn over many petticoats and a crinoline hoop. The velvet train is edged with appliqued details in gold, a theatrical interpretation of the original intricate gold lace. The corseted bodice is encrusted with intricate beaded patterns in crystals, sequins, pearls, and facetted stones, and has layered pearl-edged ribbons at the shoulder.
C. M. Rubin and Theresa Blake met when they collaborated on a reproduction of the design of the original wedding dress worn by Alice Pleasance Liddell (the Alice behind Wonderland) at her wedding in 1880 in the world reknowned Westminster Abbey in London. An illustration of Alice Liddell’s dress was featured in C.M. Rubin’s bestselling book, The Real Alice In Wonderland.
To Dress A Princess
THE REAL ALICE IN WONDERLAND INSPIRES
THE MOST INFLUENTIAL MUSE OF ALL TIME by C. M. Rubin
Throughout history, the muse has provided an essential element required to inspire and motivate artists to create their very best work. From Manet’s Victorine Meurent, to Dali’s Gala Diakonova, to Lennon’s Yoko Ono - the complex psychology of the special connection between artist and muse has been discussed and debated in terms of its importance in the overall creative process. Then there are the muses that continue to influence and promote the legacy of that art throughout the course of their lifetimes and long afterwards.
In the lives of the great muses, there has never been a muse more recognized for the role she played as inspiration than that of Alice Liddell in the creation of Charles Dodgson’s (Lewis Carroll’s) Alice’s Adventures in Wonderland. On many occasions, Lewis Carroll reminded his followers that his inspiration had come from a 10 year old girl, the magical Alice Liddell, who had encouraged his story telling for years, and in particular the story he told about Alice in Wonderland during a summer day’s picnic on July 4, 1862. The real Alice was the daughter of Henry Liddell, the author of the celebrated Greek English Lexicon and the powerful Dean of Christ Church College, Oxford, where Dodgson taught mathematics. After hearing the story, Alice was continously persistent that Dodgson write it down for her, which he eventually did. He ultimately presented it to her (hand written and hand illustrated) as a Christmas gift 18 months later. In 1883, Carroll stated clearly in a letter to Alice’s mother that without Alice, he “might possibly never have written at all.”
Years before that golden afternoon, Dodgson was hired as Liddell family photographer to take portraits of Alice and her siblings. No picture taken by Dodgson (who became one of the most respected child photographers of his day) is more famous than his photograph of Alice — the portrait of Alice Liddell as the Beggar Maid. Alfred Lord Tennyson declared it the most beautiful photograph that he had ever seen. Indeed, it was then and still is today, one of the most famous photographs of all time. The gifted model, after all, was exceptionally beautiful, with an intensity and maturity that seems surreal for a child aged only seven at the time. She was a girl capable of inspiring a previously unpublished children’s book author to write the greatest children’s story of all time.
As the books became more famous, so did the author, and so did Alice Liddell. During her teenage years, her beauty and fame inspired Julia Margaret Cameron’s acclaimed series of photographs entitled Alethea (1872). As a wife and mother, eminent writers and artists would visit her home in Surrey, England to meet the Alice of Wonderland fame. In 1883, Alice gave Carroll permission to publish the original manuscript given to her as a Christmas gift, providing that the proceeds were given to children’s hospitals. This led to Alice becoming even more engaged as a spokesperson both for these new causes and the Alice books. In 1932, the President of Columbia University in New York City honored Alice in front of the world as “the moving cause of this truly noteworthy contribution to English literature.”
There are over 20,000 books, films, operas, plays and video games based on Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking Glass. It is estimated that over 8 billion people have read or seen presentations of the Alice books. Lewis Carroll is behind only the Bible and Shakespeare in the number of quotations from the Alice books that appear in everyday published discourse. In addition to the new adaptations of Alice’s Adventures in Wonderland, Carroll’s and Liddell’s lives continue to inspire numerous new books, works of art, and film projects. In my mind, it is this ongoing fascination with not just the books, but the story behind the story, that make Liddell the most influential muse of all time.
Look Inside The Real Alice in Wonderland book
KATE MIDDLETON - TO DRESS A PRINCESS
Princess Elisabeth of Bavaria
On April 29, 2011, Westminster Abbey will be the setting for the most anticipated wedding of the year — the Royal Wedding of His Royal Highness Prince William of Wales and Kate (Catherine) Middleton. To honor the event, author C. M.(Catherine) Rubin and designer Theresa Blake have joined forces to bring you a series of stories which focus on wedding dresses worn by famous Royal Princesses and Queens over the centuries that continue to inspire wedding dress designers and brides to this day. Who knows? Perhaps one of these historic royal gowns has already inspired the best kept secret for April 29, 2011 — what will Princess-to-be Kate Middleton be wearing?
PRINCESS ELISABETH OF BAVARIA - 19th Century by C. M. Rubin and Theresa BlakePrincess Elisabeth of Bavaria (1837 – 1898), Empress of Austria and Queen Consort of Hungary, has inspired filmmakers and theater producers for decades. Her husband and first cousin, Franz Joseph I, Emperor of Austria, selected Elisabeth to be his queen when she was only 15 years old. Elisabeth bore the Emperor four children (Archduchess Sophie, Archduchess Gisela, Crown Prince Rudolf, Archduchess Marie Valerie). The Princess was known for her beauty, her passion for fashion, her 20 inch waist (she followed a strict diet and exercise regimen), and her reputed love affairs. During the course of her life, she faced many tragedies including the death of her oldest child, Sophie, and her only son, Rudolf. The scandal surrounding her son’s suggested murder-suicide with his lover Baroness Mary Vetsera (the scandal was known as the Mayerling Incident), increased public interest in Elisabeth. She spent little time in Austria during the later years of her life when travel to countries all over the world consumed her interest. On September 10, 1898, she was assassinated in Geneva, Switzerland by a young mentally ill anarchist named Luigi Lucheni.
The beautiful wedding gown below, of ivory lace satin and tulle, was inspired by a painting of Elisabeth. It is a reproduction of a classic Victorian court dress - a triple layered lace skirt, scattered with mother of pearl sequins, worn over many petticoats and a crinoline hoop. The velvet train is edged with appliqued details in gold, a theatrical interpretation of the original intricate gold lace. The corseted bodice is encrusted with intricate beaded patterns in crystals, sequins, pearls, and facetted stones, and has layered pearl-edged ribbons at the shoulder.
C. M. Rubin and Theresa Blake met when they collaborated on a reproduction of the design of the original wedding dress worn by Alice Pleasance Liddell (the Alice behind Wonderland) at her wedding in 1880 in the world reknowned Westminster Abbey in London. An illustration of Alice Liddell’s dress was featured in C.M. Rubin’s bestselling book, The Real Alice In Wonderland.
To Dress A Princess
KATE MIDDLETON - TO DRESS A PRINCESS
Mary Henrietta Stuart, Princess Royal
On April 29, 2011, Westminster Abbey will be the setting for the most anticipated wedding of the year — the Royal Wedding of His Royal Highness Prince William of Wales and Kate (Catherine) Middleton. To honor the event, author C.M. (Catherine) Rubin and designer Theresa Blake have joined forces to bring you a series of stories which focus on wedding dresses worn by famous Royal Princesses and Queens over the centuries that continue to inspire wedding dress designers and brides to this day. Who knows? Perhaps one of these historic royal gowns has already inspired the best kept secret for April 29, 2011 — what will Princess-to-be Kate Middleton be wearing?
MARY HENRIETTA STUART - PRINCESS ROYAL - 17TH CENTURY By C. M. Rubin and Theresa Blake
Mary Henrietta Stuart, Princess Royal, Princess of Orange, and Countess of Nassau was born at St. James’s Palace, London in 1631. She was the eldest daughter of King Charles I of England, Scotland and Ireland, and Queen Henrietta Maria of France. Mary’s father designated her Princess Royal (making her the first daughter of a British Sovereign to hold that title).
King Charles wished her to marry the son of Philip IV, King of Spain. However, Mary’s German first cousin, Karl Ludwig, the Elector Palatine, was also a suitor for her hand. Both proposals fell through and Mary was finally betrothed to Willem (William II), the Dutch son and heir of Frederick Henry, Prince of Orange. The marriage took place on May 2, 1641 at the Chapel Royal, Whitehall Palace, London. The marriage was not consummated for several years, understandably, since the bride was only nine years old when she was married. The couple’s only child, Willem, later became King William III of England, Ireland and Scotland. Mary died in 1660 and was buried in Westminster Abbey.
Theresa Blake’s restoration period wedding dress, inspired by Princess Royal Mary Henrietta Stuart, is made in a beautiful blue and gold silk brocade with matching plain blue silk overskirt and adornments of silk taffeta ribbon. This was very popular in the seventeenth century. An element of artistic license was used with the representative of shift sleeves (the undersleeve part). Theresa has used silk rather than lawn or linen. This seems very appropriate for a wedding or royal court gown. The slashed sleeves have piped edgings and blue-gold looped ribbon decoration.
C. M. Rubin and Theresa Blake met when they collaborated on a reproduction of the design of the original wedding dress worn by Alice Pleasance Liddell (the Alice behind Wonderland) at her wedding in 1880 in the world reknowned Westminster Abbey in London. An illustration of Alice Liddell’s dress was featured in C.M. Rubin’s bestselling book, The Real Alice In Wonderland.
To Dress A Princess
KATE MIDDLETON - TO DRESS A PRINCESS
Queen Anne Boleyn of England
On April 29, 2011, Westminster Abbey will be the setting for the most anticipated wedding of the year — the Royal Wedding of His Royal Highness Prince William of Wales and Kate (Catherine) Middleton. To honor the event, author C.M. (Catherine) Rubin and designer Theresa Blake have joined forces to bring you a series of stories which focus on wedding dresses worn by famous Royal Princesses and Queens over the centuries that continue to inspire wedding dress designers and brides to this day. Who knows? Perhaps one of these historic royal gowns has already inspired the best kept secret for April 29, 2011 — what will Princess-to-be Kate Middleton be wearing?
QUEEN ANNE BOLEYN - 16TH CENTURY QUEENS by C. M. Rubin and Theresa Blake
Lady Anne Boleyn became one of the most famous queens in English history, though she ruled for just three years. The daughter of an ambitious knight and niece of the powerful duke of Norfolk, Lady Anne spent her teenage years at the elegant French court. When she returned to England, her wit and French style were her greatest charms. She had a circle of male admirers and soon became secretly engaged to Henry Percy, the son of the wealthy Earl of Northumberland.
Lady Anne then entered the service of Queen Katherine of Aragon, wife of King Henry VIII of England. It wasn’t long before Anne caught the eye of King Henry. Jealous of Anne’s many admirers, Henry ordered her fiance, Henry Percy, from court. He then tried to make Anne his mistress. Anne boldly turned the King down. She had witnessed her sister Mary become the king’s mistress and gain little from it but scandal. However, Anne knew that her hopes to marry Henry Percy were futile. Pursued by King Henry, she insisted the King marry her before she would bed him.
Obsessed with Anne, it took King Henry nearly seven years to obtain an annulment. In addition, his divorce involved an irrevocable breach with the Catholic Church in Rome. Finally, King Henry and Queen Anne wed on May 28, 1533. Queen Anne’s coronation took place at Westminster Abbey on June 1, 1533. Queen Anne gave Henry a healthy daughter, Elizabeth, who would later become the greatest queen (Elizabeth I) that England ever had. By January of 1534, Anne was once again pregnant. The child was either miscarried or stillborn. In 1535, she became pregnant again, but miscarried by the end of January. Henry became frustrated with Anne’s inability to give him a son and heir. His interest in one of Anne’s ladies-in-waiting, Jane Seymour, had also begun to grow. Anne’s enemies at court took advantage of the situation and plotted against her. The marriage ended tragically for Anne. She was executed on trumped up charges of witchcraft, incest, and adultery on May 19, 1536.
The 16th century styled wedding gown in the picture below is inspired by Queen Anne Boleyn. The dress is elaborately embroidered with a beaded brocade bodice, embellished with faux fur and pearls. The fitted sleeves were made in silk organza, topped with ruched silk, and held together by braid. The main skirt of the dress is a deep rich cream silk. It splits to show an underskirt of pearl-beaded brocade. The dress would have been worn over a shaped frame and petticoats.
C. M. Rubin and Theresa Blake met when they collaborated on a reproduction of the design of the original wedding dress worn by Alice Pleasance Liddell (the Alice behind Wonderland) at her wedding in 1880 in the world reknowned Westminster Abbey in London. An illustration of Alice Liddell’s dress was featured in C.M. Rubin’s bestselling book, The Real Alice In Wonderland.
To Dress A Princess
KATE MIDDLETON - TO DRESS A PRINCESS
Alice Pleasance Liddell
THE REAL ALICE IN WONDERLAND MARRIED AT WESTMINSTER ABBEY By C.M. Rubin and Theresa Blake
On April 29, 2011, Westminster Abbey will be the setting for the most anticipated wedding of the year — the Royal Wedding of His Royal Highness Prince William of Wales and Kate (Catherine) Middleton. To honor the event, author C.M. Rubin and designer Theresa Blake have joined forces to bring you a series of stories which focus on wedding dresses worn by famous Royal Princesses and Queens over the centuries that continue to inspire wedding dress designers and brides to this day. Who knows? Perhaps one of these historic royal gowns has already inspired the best kept secret for April 29, 2011 — what will Princess-to-be Kate Middleton be wearing?
Westminster Abbey is steeped in more than a thousand years of history. Benedictine monks first came to this place in the middle of the tenth century, establishing a tradition of daily worship which continues to this day.
The Abbey houses a treasure of paintings, stained glass, pavements, textiles and other artifacts. Westminster Abbey is also the place where some of the most significant people in Great Britain’s history have been buried, including perhaps the most popular Royal princess of all time, Princess Diana, whose funeral took place at the Abbey on September 6, 1997. Westminster Abbey has been the Royal coronation church since 1066, and is the final resting place of seventeen British monarchs.
Alice Pleasance Liddell (the real Alice in Wonderland) was married in Westminster Abbey on September 15, 1880. Other famous weddings at the Abbey include those of Princess Elizabeth II (later Queen Elizabeth II), Princess Margaret (daughter of George VI), Princess Anne (daughter of Queen Elizabeth II), and Princess Alexandra of Kent. Princess-to-be Kate Middleton will join this celebrated list on April 29, 2011.
C. M. Rubin and Theresa Blake met when they collaborated on a reproduction of the design of the original wedding dress worn by Alice Pleasance Liddell at her wedding in 1880 to Reginal Hargreaves in the Abbey. An illustration of Alice Liddell’s dress was featured in the bestselling book, The Real Alice In Wonderland, by C. M. Rubin and Gabriella Rubin.
Theresa Blake trained at Wimbledon School of Art in period costume design. After helping to design magnificent gowns for major bridal and couture houses in the UK, she formed her own company, Rossetti Couture. Today, Rossetti Couture designs period wedding gowns inspired by historical princesses and theatrical costumes for individuals and prestigious entertainment companies around the world.
C. M. (Catherine) Rubin designs many of her own clothes and is also the author of three best-selling, award winning books, including The Real Alice In Wonderland.
WESTMINSTER ABBEY
KATE MIDDLETON - TO DRESS A PRINCESS
Kate Middleton
KATE MIDDLETON - TO DRESS A PRINCESS by C. M. Rubin and Theresa Blake
C. M. Rubin and Theresa Blake met when they collaborated on a reproduction of the design of the original wedding dress worn by Alice Pleasance Liddell (the Alice behind Wonderland) at her wedding in 1880 to Reginal Hargreaves in the world reknowned Westminster Abbey in London. An illustration of Alice Liddell’s dress was featured in the bestselling book, The Real Alice In Wonderland, by C. M. Rubin and Gabriella Rubin.
On April 29, 2011, Westminster Abbey will once again be the setting for the most anticipated wedding of the year — the wedding of His Royal Highness Prince William of Wales and Kate (Catherine) Middleton. To honor the event, Rubin and Blake have joined forces to bring you a series of stories from CMRubinWorld entitled “KATE MIDDLETON - TO DRESS A PRINCESS.” Beginning on Wednesday, February 16, the stories will focus on wedding dresses worn by famous Royal Princesses over the centuries that continue to inspire wedding dress designers and brides to this day. Who knows? Perhaps one of these historic royal gowns has already inspired the best kept secret for April 29, 2011 — what will Princess-to-be Kate Middleton be wearing?
Theresa Blake trained at Wimbledon School of Art in period costume design. After helping to design magnificent gowns for major bridal and couture houses in the UK, she formed her own company, Rossetti Couture. Today, Rossetti Couture designs period wedding gowns inspired by historical princesses and theatrical costumes for individuals and prestigious entertainment companies around the world.
C. M. (Catherine) Rubin designs many of her own clothes and is also the author of three best-selling, award winning books, including The Real Alice In Wonderland.
Theresa Blake and C. M. Rubin
THE REAL ALICE IN WONDERLAND INSPIRES
THE GIFT OF LOVE IS IN THE AIR by C. M. Rubin
Valentine’s Day is named after St. Valentine, and was first celebrated on February 14th in 500 A.D. to express people’s love for one another.
Everyone has some person who inspires them, and yes, that person should be honored and told they are loved on Valentine’s Day.
This Valentine’s Day we are personally honoring our relative, Alice Liddell, the real Alice in Wonderland — the girl who inspired the greatest children’s book of all time, Alice’s Adventures in Wonderland.
Alice was magnetic - she had an impressive line of suitors, including Queen Victoria’s son, Prince Leopold. She finally found true love with a wealthy country gentleman, Reginald Hargreaves.
So Who’s Your Alice?
Tell us about the person in your life who inspires you.
The Person You Love.
Your Real Alice in Wonderland.
Share Your Inspiration.
Log onto Facebook and search for
WHO’S YOUR INSPIRATION?
We look forward to hearing your story.
Who’s Your Inspiration Stories
Look inside The Real Alice in Wonderland book
THE REAL ALICE IN WONDERLAND INSPIRES
WORLD PREMIERE OF ALICE IN WONDERLAND – THE BALLET
by C.M. Rubin
“What is the use of a ballet,” thought Alice, “without a proper story and specially written score?”
Critics are calling the new full length classical ballet, with a unique story and specially written score, the biggest artistic and financial risk any ballet company can take, and oh my ears and whiskers, the dance world wonders about the outcome of the Royal Ballet’s World Premiere of Alice’s Adventures in Wonderland in London on February 28th.
Christopher Wheeldon, one of the world’s foremost choreographers, has choreographed this ballet. Wheeldon trained at the Royal Ballet School and danced with both the Royal and City Ballets. He was the New York City Ballet’s resident choreographer for seven years beginning in 2001. He has been regarded by many as a worthy successor to George Balanchine. Some of his best known works to date are “Polyphonia” (2001) and “After the Rain” (2005).
Joby Talbot, who last worked with the Royal Ballet on Wayne McGregor’s award winning production of Chroma, has composed the original score, which will be played by the orchestra of the Royal Opera House. As all ballet lovers know, a ballet can hit or miss based on its score. Talbot has a diverse range of compositions in his portfolio, from film and TV scores (The League of Gentlemen’s Apocalypse) to classical and pop music with Sir Paul McCartney and Charlotte Church.
Will Alice be changed in the night? Will she get up in the morning and wonder who in the world she is? There have been numerous interpretations of Alice in Wonderland – none of which I have personally loved. However, Wheeldon has a reputation for choreography that pushes dancers to their limits and leaves an audience breathless. The British stars, Lauren Cuthbertson and Edward Watson, will lead the opening night cast as Alice and the White Rabbit. Sergei Polunin dances the Knave of Hearts. Zenaida Yanowsky is the Queen of Hearts. We are told to expect a world in which nothing is quite as it seems, and where nothing can be taken for granted. Tap dancing tea parties, a Shakespearean actor, and a psychedelic caterpillar are just some of the real or imagined happenings in the new ballet. The Alice In Wonderland score is described as mysterious and magical, with strong melodies and toe tapping tunes that will appeal to all ages. The darkly gothic designs by five time Tony award winner Bob Crowley have been influenced by photographs taken by Lewis Carroll himself, with a 21st century twist on classic Victoriana. Naturally, this all makes me curiouser and curiouser, and since there are no immediate plans to open the ballet in New York City, all I can do is hop across the rabbit pond and take a look for myself. Will get back to you with my thoughts then…..
Christopher Wheeldon
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